You may not have heard of Myles Heskett, Chris Ross and Andrew Stockdale, but you will. The three Australians are taking the music world by storm not through appearances on TRL or winning cheesy network talent shows, but through pure talent.
With riffs challenging the best of Black Sabbath and non-annoyingly-Rush-like vocals, Wolfmother feels equally at home on indy-college radio as it does on a heavy metal station. The band writes all of it’s own music, which is a more than refreshing relief from some of the crap the music industry has been spitting out over the past few years.
Wolfmother is one of the bands that understands the new music industry. For far too long, teeny-pop bands could release an album with one catchy song and make millions, because the record industry owned the relationship and other options were scarce. Today, Napster, iTunes and the like are forcing bands to spend a little more time in the studio if they want to sell more than $0.99 worth of music. Wolfmother’s self-titled release is the type of album you can listen to from start to finish–a rarity in today’s music scene.
Happily reminiscent of the good old days, Wolfmother is a cross between the classic rock of the 60’s (Witchcraft features a flute ala Jethro Tull!) and modern-day rock bands. Even the cover (by the seriously talented Frank Frazetta) is 100% retro-rock. The entire album blends perfectly and passes by far too quickly. Songs like Dimension, White Unicorn and Woman exude rock, Mind’s Eye has some of the best guitar transitions I’ve ever heard and Colossal and Joker & the Thief are epic rock songs that belong on every music fan’s playlist.
The band is currently in North America as part of the world-wide tour and if they’re half as good in person as their album, run, don’t walk to buy tickets! The album debuted in the states on May 2nd and is climbing charts around the country and is easily worth $9.99 on iTunes (includes a bonus live version of Colossal).